Workshop April 2017

The April 2017 workshop was on Preventive and Curative conservation practices in museums and archives. It was a very enriching experience for both the participants and the organizers. This workshop was organized by the joint efforts of  State Museum and Heritage Preservation Atelier.

Since the museum is facing a lot of problems mainly because of the biological deteriorating agents, main focus of the presentations was on environment friendly ways of controlling as well as treating the insect pests and micro-organisms like fungi.
18121094_1287924317970054_5667417672724827261_o

Best solution found was the ‘Modified Micro-environment’.
We discussed the technology and efficiency of Anoxia. Feasibility and financial issues were also discussed.

We tried to demonstrate the functioning of the Anoxia treatment.

capture-20170429-203038

Apart from ‘Modified Micro-environment and its requirements, conservation analysis and treatment for archival material was also discussed and demonstrated practically.

Snapshot 1 (28-04-2017 23-18)

Here are a few memorable moments from the event.

IMG_0301aIMG_0331

 

Author: namitajaspal
Namita Jaspal, with inherited skills of art and aesthetics and passion for science, opted to pursue post- graduation in ‘Conservation of Cultural Property’ after her graduation in Science from Delhi University in 1992. Four year intense training at National Museum Institute provided the right foundation to start a career in Conservation. She is currently practicing conservation consultancy for Heritage property including monuments and collections. She has been doing independent research in conservation techniques and procedures in Indian context. She is currently working on the conservation of wall-paintings of Sri Harmandir Sahib Ji (The Golden temple at Amritsar. The project is nearing completion and getting a lot of appreciation for the organized and ethical treatment it is providing. It is for the first time in the history of Sri Harmandir Sahib Ji (The Golden Temple) that wall painting conservation and preservation is being done in a scientific manner, keeping the codes of Ethics into consideration while decision making. Another project just completed is of the Conservation of Krishna Temple at Kishankot, Gurdaspur, Punjab. In her private Conservation Laboratory, she is not only providing onservation services, but also mentoring young aspiring conservators and archaeologists by the way of training and paid internships. She has been a guest lecturer at DIHRM (Delhi Institute of Heritage Research and Management). With all the updated knowledge database and innovative practical approaches relevant to the Indian conditions, she could successfully do curative and preservative treatment of very old textiles like a nine feet long flag from nineteenth century that is regarded as priceless memorabilia of second Dogra regiment at Chandi Mandir, and four hundred years old (seventeenth century) Chola Sahib Ji of Sixth Guru of Sikhs, Sri Hargobind Sahib Ji. Apart from this she has done conservation of Photograph collections, archival records, numerous paintings, manuscripts and other cultural objects. She is also involved in preparation of up-gradation proposals for museums and such organizations. Her expertise includes Conservation and preservation technologies and procedures for conservation of varied material like wall paintings, paper, photographs, textile, ceramics, stone, metal and archaeological objects.

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.