INTRODUCTION Satya Narayana is another name of lord Vishnu or Narayana. Shri Satya Narayana temple discussed in this write-up is in the city Rampur Busharhr, a municipal council in Shimla district in Himachal Pradesh. Rampur town is in a beautiful valley situated at the bank of the Satluj river. It bordered on the north with Spiti, on the east with Tibet, on the south with … Continue reading Thakur Satyanarayan Temple
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Namita JaspalHeritage Preservation Atelier, Chandigarh, Indianamitajaspal72@gmail.com, heritage.atelier@gmail.comhttp://www.heritagepreservationatelier.comKeywords – Sikh art, Mural paintings, Conservation, Religion AbstractThis case study regarding the conservation of wall paintings at The Golden Temple (Sri Harmandar Saheb Ji) Amritsar, India, intends to highlight some specific conservation issues related to the active religious sites that are historically very important and have huge role in linking present and future religious beliefs to their origin … Continue reading Conservation of wall paintings at the Golden Temple(Sri Harmandar Saheb Ji), Amritsar, India
Conservation approach Collaboration between community, religious heads, management, historians and conservation scientists is a remarkable involvement for the sacred cause of Conservation and Preservation of wall paintings of Sri Harmandir Sahib Ji. The conservation approach has to deal with multiple interwoven issues. Some points to consider were: Whether we need to explore the under-drawings, belonging to various eras, at this stage How to make conservation … Continue reading Sri Harmandar Saheb Ji and First attempts in Art Conservation (2013)
At the edge of a jungle, we found some ruins of a temple which was still functional in adjoining more recently constructed room. Initially when i visited the site in 2008, there was another structure right in the middle of the temple complex. This structure was now (2015) totally erased from the landscape. Only a defining foundation of it was left. This central part would … Continue reading Rescuing Frescoes from ruins
There are many methods used to secure the falling of pieces right in the beginning , before we start with other treatment procedures of conservation. These methods are extremely helpful as they allow the conservators work with more confidence while removing the surface accumulations that are damaging as well as obscuring the art work and other relevant details. allow safe movement of the artifact while … Continue reading Securing the flaking-off pieces
noun (Colours) a reddish pigment derived from iron ore the preliminary sketch found on a rough underlayer called the arriccio on the wall, underneath the fresco While treating very old wall paintings, i was surprised to see sinopia showing up at places different from the final figure’s outline. When i studied more and more sinopia history, purpose and real examples, i learnt that the sinopia usually … Continue reading Sinopia
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When we talk about wall paintings or mural paintings, most of us call them ‘frescoes’. This might not be technically correct for all the murals.Technically, if the painting is created ( or we can say that the colours are applied) on a lime plaster which is still wet, the painting is called fresco (Italian word which means ‘fresh’). While painting a fresco, no binder is … Continue reading Frescoes vs Tempera
Namita Jaspal Heritage Preservation Atelier, Chandigarh, India namitajaspal72@gmail.com; heritage.atelier@gmail.com http://www.heritagepreservationatelier.com Introduction When we are trusted upon the responsibility of doing art conservation services for an active religious site, we tend to get a mixed feeling of gratitude and anxiousness. Gratitude is generally because of the ingrained faith we might have for the sacred site and anxiousness because of the huge level of responsibility that is … Continue reading Art conservation of Sri Harmandar Saheb Ji (The Golden Temple), Amritsar, India
Golden Temple or Sri Harmandar Saheb Ji is a sacred site visited by thousands of people every day, but not many go to the first floor. Even among those who go to first floor, not many take the parikrama at the first floor. Following picture is an incomplete model of the first floor parikrama. The walls that are white in this model are actually all … Continue reading Walls of the first floor at Sri Harmandar Saheb Ji
