Frescoes vs Tempera

When we talk about wall paintings or mural paintings, most of us call them ‘frescoes’. This might not be technically correct for all the murals.
Technically, if the painting is created ( or we can say that the colours are applied) on a lime plaster which is still wet, the painting is called fresco (Italian word which means ‘fresh’). While painting a fresco, no binder is required to be added to the mineral pigments that are applied because the chemical reaction of the wet plaster with the carbon dioxide in the air creates a hard layer of calcium carbonate and the pigments are securely fixed in the calcium carbonate layer while drying. This layer of colours/pigments is so secure that it is not affected by dampness/or moisture etc. Such paintings are called buon fresco. But, many a times complete paintings are not done in fresco buon technique, in such cases, the base layers of colors are done on fresh plaster (fresco buon), but the details and some outlines are painted later when the plaster has dried up and hence with the binder is mixed for good adhesion. These details are not well protected from the damages of moisture and vegetation because of dampness. These superficial/upper layers or details are in fresco secco.

1
Fresco paintings damaged by vegetation grown over them and accretions of dust etc.
2
The same (last image) after cleaning… if we look closely, we’ll see that the out-lines are lost, but base colours are still there as they were in real fresco…

 

DSC_0215-tile
Before and after picture of another fresco painting

Tempera paintings require a binder to be added to the pigment colours to make them stick to the plaster. They are also quite stable, but susceptible to damage by moisture and dampness. Tempera paintings are done on dry plaster, so there is no stress of the time deadline.

 

IMG_1460
Tempera painting damaged due to moisture

 

IMG_6862
another damaged tempera painting

New! : We’ll keep on adding more discussions on the subject to keep this topic updated. The initial write-up was posted in June 2017.
For now, a more recent discussion (June 2020) is being shared in the following YouTube video:

2 Replies to “Frescoes vs Tempera”

  1. I always had a doubt regarding the process of creating frescos. Why does it not leave any impressions of hands on the surface since its wet while painting.

    1. There are two things to consider here:
      1. Artists apply colour with brush (not fingers) on the wet lime plaster.
      2. The pigments with water as a medium are trapped inside the plaster as the calcium hydroxide reacts with carbon dioxide of air to form calcium carbonate. There is a chemical reaction happening after the water based paint is applied on wet plaster. This may cause a physical shift also at molecular level on the surface.

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.