Workshop Concluded

Young and enthusiastic professionals from museums and cultural organizations were our guests last week and we were more than pleased to share our knowledge and understanding about the field of museum, conservation and collection management with them. 1

Ms. Seema Gera, the Curator at Govt. Museum and Art Gallery of Chandigarh and Ms. Niyati Jigyasu, Professor, Chitkara School of Planning and Architecture, Chitkara University, were the guest speakers apart from myself and the team responsible for the activities and rest of the lectures and presentations.
Main features of the workshop were following:

  1. Discussion on Collection management and Collection Management Policy
  2. a. A talk on the Condition report and Treatment record, and, what should be included in it and how  b. Important features of a textile that should be studied and added in a condition report20171220_130317
  3. Museum environmentIMG-20171220-WA0013
  4. Disaster Risk Management for MuseumsIMG_3670
  5. Dry surface cleaning methods for paper
  6. Heat and solvent activated adhesion processes for textile conservation
  7. Mild and controlled humidification method using Gore-tex

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Some relevant videos:

Finally after all the hard work we also managed to visit the Government museum and famous Rock garden. There was a dinner with live music and lively ambience just the day before our guests had to fly over to Delhi and then back home…
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Author: namitajaspal
Namita Jaspal, with inherited skills of art and aesthetics and passion for science, opted to pursue post- graduation in ‘Conservation of Cultural Property’ after her graduation in Science from Delhi University in 1992. Four year intense training at National Museum Institute provided the right foundation to start a career in Conservation. She is currently practicing conservation consultancy for Heritage property including monuments and collections. She has been doing independent research in conservation techniques and procedures in Indian context. She is currently working on the conservation of wall-paintings of Sri Harmandir Sahib Ji (The Golden temple at Amritsar. The project is nearing completion and getting a lot of appreciation for the organized and ethical treatment it is providing. It is for the first time in the history of Sri Harmandir Sahib Ji (The Golden Temple) that wall painting conservation and preservation is being done in a scientific manner, keeping the codes of Ethics into consideration while decision making. Another project just completed is of the Conservation of Krishna Temple at Kishankot, Gurdaspur, Punjab. In her private Conservation Laboratory, she is not only providing onservation services, but also mentoring young aspiring conservators and archaeologists by the way of training and paid internships. She has been a guest lecturer at DIHRM (Delhi Institute of Heritage Research and Management). With all the updated knowledge database and innovative practical approaches relevant to the Indian conditions, she could successfully do curative and preservative treatment of very old textiles like a nine feet long flag from nineteenth century that is regarded as priceless memorabilia of second Dogra regiment at Chandi Mandir, and four hundred years old (seventeenth century) Chola Sahib Ji of Sixth Guru of Sikhs, Sri Hargobind Sahib Ji. Apart from this she has done conservation of Photograph collections, archival records, numerous paintings, manuscripts and other cultural objects. She is also involved in preparation of up-gradation proposals for museums and such organizations. Her expertise includes Conservation and preservation technologies and procedures for conservation of varied material like wall paintings, paper, photographs, textile, ceramics, stone, metal and archaeological objects.

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