BoPET: Mylar/Melinex/Hostaphan

All the conservation labs/workshops have mylar or melinex as the most commonly used material while treatment procedures as well as in packaging and safe storage or display etc. Such widely and frequently used material is known to all by these trade names (Mylar and Melinex), but not many know the exact properties and actual name of this material. The actual name is Biaxially-oriented polyethylene terephthalate (BoPET).

The properties that attract its use in conservation are:

  1. it has excellent clarity
  2. it has extreme smoothness when there are no additives
  3. much less permeable to gases
  4. it reflects up to 90% of light, including much of IR spectrum

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There are many types and grades of Mylar. Mylar that should be used for conservation and preservation is Mylar D or Melinex 516.

The BoPET film must not contain any plasticiser, surface coatings, UV inhibitors, or adsorbents and be guaranteed to be non-yellowing with natural aging.

Following are good references to know more about Mylar/Melinex use in conservation and their preferred type.

http://cool.conservation-us.org/byorg/abbey/an/an13/an13-5/an13-507.html

http://www.stampsareart.com/plastic-2/preserve-and-protect-your-rarities-and-collections-with-mylar-d-melinex-516-plastic

 

Author: namitajaspal
Namita Jaspal, with inherited skills of art and aesthetics and passion for science, opted to pursue post- graduation in ‘Conservation of Cultural Property’ after her graduation in Science from Delhi University in 1992. Four year intense training at National Museum Institute provided the right foundation to start a career in Conservation. She is currently practicing conservation consultancy for Heritage property including monuments and collections. She has been doing independent research in conservation techniques and procedures in Indian context. She is currently working on the conservation of wall-paintings of Sri Harmandir Sahib Ji (The Golden temple at Amritsar. The project is nearing completion and getting a lot of appreciation for the organized and ethical treatment it is providing. It is for the first time in the history of Sri Harmandir Sahib Ji (The Golden Temple) that wall painting conservation and preservation is being done in a scientific manner, keeping the codes of Ethics into consideration while decision making. Another project just completed is of the Conservation of Krishna Temple at Kishankot, Gurdaspur, Punjab. In her private Conservation Laboratory, she is not only providing onservation services, but also mentoring young aspiring conservators and archaeologists by the way of training and paid internships. She has been a guest lecturer at DIHRM (Delhi Institute of Heritage Research and Management). With all the updated knowledge database and innovative practical approaches relevant to the Indian conditions, she could successfully do curative and preservative treatment of very old textiles like a nine feet long flag from nineteenth century that is regarded as priceless memorabilia of second Dogra regiment at Chandi Mandir, and four hundred years old (seventeenth century) Chola Sahib Ji of Sixth Guru of Sikhs, Sri Hargobind Sahib Ji. Apart from this she has done conservation of Photograph collections, archival records, numerous paintings, manuscripts and other cultural objects. She is also involved in preparation of up-gradation proposals for museums and such organizations. Her expertise includes Conservation and preservation technologies and procedures for conservation of varied material like wall paintings, paper, photographs, textile, ceramics, stone, metal and archaeological objects.

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